Q. Tarantinos Use of Different Film Elements in Kill Bill and Pulp Fic

Q. Tarantinos Use of contrasting Film Elements in Kill step and Pulp Fiction Quentin Tarantino has utilise the lightning, colour, sound, camera, mise-en-scene, iconography, speed of editing and special effects in Kill Bill and Pulp Fiction to make the auditory sense want to carry on watching. These film elements have been use real effectively by the handler in the possibilitys of both films to build audience interest. The first aspect lightning was very helpful in building interest in Kill Bill. The opening scene of Kill Bill is in desolate and white. It was originally non-white but the critics have decided that the rootage which appears in this scene is to a fault offensive and have censored it. The best way to make the blood less visible without remaking the seed of the film was to use black and white. It has a dramatic and disturbing effect on the audience because of the negatively charged atmosphere the scene gets them into the audience feels danger, suspense. In the opening scene lightning has been used to characterise the fair sex. The light is natural it comes from the windows in the church where the scene is set. The adult females face is one-half lit but the other half is black. This was probably shown to symbolise her two sides good and bad. It gives the audience an insight into the womans character it tells them that she does have an evil side. At this point the audience might have a good reason to keep on watching to find out those two sides of the woman they have sound met. The first scene of Kill Bill confronts the audiences base on what wedding should look like. The woman, which is heavily beaten up is wearing... ... it interesting, overflowing of iconography, dynamic effects, original sound etc. the director built himself a great tool for keeping the audience until the whole plot is justified. A non-linear plot is also unique to film s directed by Quentin Tarantino, by whom this call has been developed. If I was Quentin Tarantino, I would call my new film Contradiction. I think that it would fit the Tarantino style of things in the wrong order. It links with the subject area of paradox, for example one thing denies another, but that other thing seems true. The aforementioned(prenominal) can be spotted in Tarantino films the end is at the beginning and the beginning at the end, so what is the beginning and what is the end in earth? Although the narrative is non-linear, in Tarantinos films there is always a acquire key, consequence that justifies the plot.